12 Facts About Ginevra de Benci By da Vinci


Leonardo da Vinci, Ginevra de' Benci, c. 1474/1478

Brachert, Thomas. "A Distinctive Aspect in the Painting Technique of the Ginevra de'Benci and of Leonardo's Early Works." Studies in the History of Art (1969-70): 84-104, repro. 1975 European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 192, repro.


Vintage Postcard Leonardo Da Vinci Portrait Der Ginevra Dei Benci

Leonardo da Vinci, Ginevra de' Benci [obverse], c. 1474/1478, oil on panel, Ailsa Mellon Bruce Fund, 1967.6.1.a. Leonardo was born in 1452 in the Italian village of Anchiano, near Vinci, his namesake. His parents never married—his mother, Caterina, was spurned by his father, Ser Piero da Vinci, as she was from a lower social class.


The Portrait of Ginevra De Benci Bharat dalal

Ginevra de' Benci is a portrait painting by Leonardo da Vinci of the 15th-century Florentine aristocrat Ginevra de' Benci (born c. 1458). Exhibited at the National Gallery of Art in Washington, D.C. US; it is the only painting by Leonardo on public view in the Americas. Subject


Portrait of Ginevra de Benci by Leonardo da Vinci Poster Zazzle

Season 1, Episode 1. Leonardo da Vinci's painting of Ginevra de' Benci is a gem in the National Gallery of Art's Collection. Leonardo's first time with portraiture is certainly a memorable one with the piece. In true Leonardo da Vinci fashion, this portrait becomes more than a portrait with the subtle inclusion of imagery and a pun as well!


Renaissance Art Ginevra Dei Benci By Ghirlandajo Stock Illustration

Ginevra de' Benci is a portrait painting by Leonardo da Vinci of the 15th-century Florentine aristocrat Ginevra de' Benci (born c. 1458). The oil-on-wood portrait was acquired by the National Gallery of Art in Washington, D.C. in 1967. The sum of US$5 million—an absolute record price at the time—came from the Ailsa Mellon Bruce Fund and was paid to the Princely House of Liechtenstein.


12 Facts About Ginevra de Benci By da Vinci

The Ginevra de' Benci is a portrait of the 15th-century Florentine aristocrat Ginevra de' Benci (born around 1458) by Leonardo da Vinci. Ginevra de' Benci, age 16, or 17, is a babysitter, who is dressed in a brown with blue laces and gold trim, as well as a black scarf. She wears a delicate white shirt with a golden pin beneath the outfit.


da Vinci Ginevra De’Benci Kerrisdale Gallery

Portrait of Ginevra de' Benci was painted by Leonardo da Vinci around 1474-1476. It is oil on wood and measures 42 x 37 cm (16 1/2 x 14 1/2 in.) It is now owned by National Gallery of Art, Washington, DC and is currently the only painting by Leonardo in the Americas. A lady of the aristocratic class in 15th century Florence, Ginevra de' Benci.


Ritratto Di Ginevra De' Benci nonotalkwalk

Ginevra de' Benci, painted circa 1474, is considered the first psychological portrait in art history. Among the experts featured in the film, Martin Kemp, professor of the history of art at Oxford University, discusses Leonardo's contributions and development as an artist. According to Kemp, Leonardo "set standards for how you can look at.


Ginevra de’ Benci e il mistero de La Gioconda Bagno a Ripoli eChianti

Ginevra de' Benci (1457-1521) was a member of the Benci family in Florence and is the subject of an early portrait by Leonardo da Vinci. Possible portrait of Ginevra de' Benci by Lorenzo di Credi. Ginevra was born into a family of wealthy Florentine merchants in 1457. The Benci had business dealings with the Medici and were noted humanists.


Quadro Ginevra de Benci di Leonardo, falso d'autore 60x50cm Ritratti

Washington, DC-The National Gallery of Art in Washington, DC, will present Ginevra's Story, a new, hour-long documentary, narrated in Italian by actress Isabella Rossellini, on RAISAT this summer. The Gallery is the home of Leonardo da Vinci's Ginevra de' Benci, the only painting by the artist in the Western Hemisphere.. Ginevra's Story recounts how Leonardo came to paint the haunting.


Vintage Postcard Leonardo Da Vinci Portrait Der Ginevra Dei Benci

"Ginevra de' Benci" by Leonardo da Vinci depicts a well-known young Florentine aristocrat. Leonardo painted the portrait in Florence in 1474 to commemorate Ginevra's marriage at the age of 16. The juniper bush that fills much of the background was regarded as a symbol of female virtue, in Renaissance Italy, while the Italian word for.


12 Facts About Ginevra de Benci By da Vinci

2. It's a rather small painting. One of the most remarkable facts about Ginevra de' Benci is that this oil on wood painting is actually pretty small, as it has only dimensions of 38.1 × 37 centimeters (15.0 × 15 inches). To give a comparison, this is only just half the size of the Mona Lisa which has dimensions of 77 × 53 centimeters (30.


Portrait of a Woman, perhaps Ginevra de' Benci Verrocchio, Andrea del

A reconstructed image of "Ginevra de' Benci" c.1474/1478 by Leonardo da Vinci National Gallery of Art, Washington DC. The painting was originally larger. At some point the bottom of the panel was cut down along the bottom. A surviving drawing by Leonardo suggests that Ginevra's hands were lightly cradled at her waist.


Magnani"Questo di Leonardo non è il ritratto di Ginevra de' Benci, ma

1)1) Leonardo da Vinci, ((Ginevra de'. 68. 2) Leonardo da Vinci, ((Lady with an Ermine)), Czartoryski Collection, Cracow. and practice. Ginevra de' Benci represents one of Leonardo's early attempts "to make a flat surface display a body as if modelled and separated from this plane." Ginevra's head has the appearance of a large round moon cast.


"Ginerva de' Benci" Leonardo da Vinci (14748) National gallery of

Riproduzioni su misura dei quadri e dipinti di Leonardo Da Vinci. Più di 300 opere. Stampe o dipinti fabbricati su misura, al formata scelto, con l'incorniciatura scelta


Ginevra de’ Benci The Ark of Grace

Other articles where Portrait of Ginevra de' Benci is discussed: Leonardo da Vinci: Painting and drawing: In the portrait Ginevra de' Benci (c. 1474/78), Leonardo opened new paths for portrait painting with his singular linking of nearness and distance and his brilliant rendering of light and texture. He presented the emaciated body of his St. Jerome (unfinished; c. 1482) in a sobering.